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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

For performance, purchase, licensing, recordings, or rights-related requests, please contact the official rights holders. 

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Astarté

120

French

Synopsis

Set in ancient Phoenicia, the opera centers on the goddess Astarte and her priestesses, who engage in ritualized lesbian desire and transgressive power struggles. The plot involves a mortal queen who seeks to usurp divine power, leading to seduction, ritual sacrifice, and the blurring of gender roles. The work explores themes of non‑binary divinity, female homoeroticism, and the collapse of moral order through transgression.

Composer

Xavier Leroux

Lyricist / Librettist / Playwright

Louis de Gramont

Year of composition/publication / premiere

1901

Genre

Opera

LGBTQAI+ category

Lesbian, Queer

Level of centrality

Main character

Characters

Astarté

Voice type

Soprano

Pronouns

she/her

Publisher / Rights holder

Public domain

Where to buy / access the work

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Astarté, Xavier Leroux, lesbian desire, Phoenician, decadent opera, fin‑de‑siècle, priestess, non‑binary, transgression

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