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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

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Dublin Jack

120

English

Synopsis

The opera dramatises the life of Jack Saul (born John Saul), a flamboyant gay man and one of the most notorious rent boys of the Victorian era. The narrative, presented in concert form as the first two acts of a larger work, opens in a male bordello on Cleveland Street, where Jack (in his 30s) meets Sid, a young newcomer he tries to warn of the harsh experiences ahead. After Sid’s first client, he commits suicide. The second act follows Jack at a New Year’s Eve party at an aristocrat’s home, where class and power dynamics are explored, and he shares a duet with a closeted lesbian aristocrat. The work ends with Jack haunted by Sid’s ghost in a nightmare. Set against a backdrop of post-Famine Dublin and imperial London, the opera explores the messy power plays of agency, class, and colonialism tied to queer Anglo-Irish identity

Composer

Conor Mitchell

Lyricist / Librettist / Playwright

Conor Mitchell

Year of composition/publication / premiere

2025

Genre

Opera

LGBTQAI+ category

Gay, Queer

Level of centrality

Main character

Characters

Jack Saul (also known as John Saul), Sid (a young rent boy), an unnamed aristocrat’s wife (a closeted lesbian)

Voice type

Tenor

Pronouns

he/him

Publisher / Rights holder

The work is a Belfast Ensemble production; the score is not currently commercially available

Where to buy / access the work

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

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