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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

For performance, purchase, licensing, recordings, or rights-related requests, please contact the official rights holders. 

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El Público

142

Spanish

Synopsis

A married theatre director, Enrique, is preparing a production of Romeo and Juliet but is haunted by visions of his former male lover, Gonzalo. Gonzalo urges him to abandon social conventions and stage the “theater under the sand” – a raw, truthful art that exposes hidden desires. When Enrique finally casts a boy as Juliet, the public’s reaction turns so violent that it sparks a revolution. The opera is a surrealist, openly homosexual cry against bourgeois hypocrisy and a plea for artistic and sexual freedom.

Composer

Mauricio Sotelo

Lyricist / Librettist / Playwright

Andrés Ibáñez (libretto, based on Federico García Lorca’s 1930 play)

Year of composition/publication / premiere

2010/2015

Genre

Opera

LGBTQAI+ category

Gay, Queer

Level of centrality

Main character

Characters

Enrique (the Director) / Gonzalo (his former lover)

Voice type

Baritone

Pronouns

he/him

Publisher / Rights holder

Universal Edition AG, Vienna (Sotelo’s works have been published by Universal Edition since 1991)

Where to buy / access the work

The DVD/Blu‑ray is available from Bel Air Classiques (catalogue no. BAC134) and major online retailers. The score can be rented/purchased through Universal Edition.

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

El Público, Mauricio Sotelo, Federico García Lorca, queer opera, homosexuality, Teatro Real, Spanish contemporary opera, under‑the‑sand theatre, flamenco‑spectral

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