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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

For performance, purchase, licensing, recordings, or rights-related requests, please contact the official rights holders. 

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Glitter Balls

Not specified

Synopsis

This opera project aims to depict queer (LGBTQ+) experiences through opera, and to do so queerly. Its source material is real-life stories, collected ethnographically; the compositional, staging and design processes are multistylistic, conceived to challenge traditional models of expression and spectatorship. Diversity and representation are ensured through a rich network of collaborations, with a particular focus on ungendering voice and on the possibilities offered by trans voices.

Composer

Alannah Marie Halay (British composer, born 1990)

Lyricist / Librettist / Playwright

Jorge Balça

Year of composition/publication / premiere

2022

Genre

Opera

LGBTQAI+ category

Queer, Trans

Level of centrality

Characters

Voice type

Pronouns

Publisher / Rights holder

Where to buy / access the work

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Queer opera, LGBTQ+, ungendering voice, trans voices, multistylistic, ethnographically sourced, Jorge Balça, Alannah Marie Halay, Rachel Hann

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