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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

For performance, purchase, licensing, recordings, or rights-related requests, please contact the official rights holders. 

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Grindr: The Opera

English

Synopsis

A sung-through, satirical musical about the impact of the gay dating app Grindr on modern relationships. We meet Grindr, a mythical siren and god-like figure awakened by technology, who feeds on human lust and manipulates her gay devotees. The story follows four archetypal gay men using the app: Devon, a romantic looking for love; Tom, a cynical user open to no-strings-attached fun; Jack, a hedonistic twink; and Don, a closeted, self-loathing, and married older man. As their paths cross, their storylines ultimately collide in a campy crescendo

Composer

Erik Ransom

Lyricist / Librettist / Playwright

Erik Ransom

Year of composition/publication / premiere

2017

Genre

Other:

LGBTQAI+ category

Gay, Queer

Level of centrality

Main character

Characters

Grindr (a gender-fluid, drag deity), Devon (a romantic), Tom (a cynic), Jack (a twink), Don (a closeted "daddy")

Voice type

Contra-tenor

Pronouns

he/him, she/her, they/them (the character of Grindr is fluid)

Publisher / Rights holder

Where to buy / access the work

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

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