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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

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Le Nozze di Figaro (The Marriage of Figaro), K. 492

180'

Italian

Synopsis

In the palace of Count Almaviva near Seville, the clever valet Figaro and the maid Susanna prepare for their wedding. The Count, who had abolished the lord's "droit du seigneur," now seeks to reinstate it to seduce Susanna. With the help of the Countess and the amorous page Cherubino—who is infatuated with all women—the servants devise a scheme to expose the Count's infidelity. Through a series of mistaken identities, secret letters, and a mock trial, the Count is publicly shamed and forced to beg for forgiveness, leading to a joyous reconciliation.

Composer

Wolfgang Amadeus Mozart (1756-1791)

Lyricist / Librettist / Playwright

Lorenzo Da Ponte (1749-1838), based on the play La Folle Journée, ou Le Mariage de Figaro by Pierre Beaumarchais

Year of composition/publication / premiere

1786

Genre

Opera

LGBTQAI+ category

Queer, Trans

Level of centrality

Secondary character

Characters

Cherubino

Voice type

Mezzo-Soprano

Pronouns

he/him

Publisher / Rights holder

Public domain. Modern scholarly editions: Bärenreiter, Ricordi, Hal Leonard

Where to buy / access the work

Scores available from major retailers like Hal Leonard, Ricordi, Bärenreiter, or free on IMSLP

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Puttee, Erin. "Undressing Cherubino: Reassessing Gender and Sexuality in Mozart's 'Le nozze di Figaro'" (Master's thesis, 2012); Longoni, Francesca. "En travesti: Cherubino e la fenomenologia del trouser role" (2024)

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