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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

For performance, purchase, licensing, recordings, or rights-related requests, please contact the official rights holders. 

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Les Mamelles de Tirésias (The Breasts of Tiresias)

50-57'

French

Synopsis

The young Thérèse, tired of being a housewife, transforms herself into the general Tirésias: her breasts become balloons and fly away. She ties up her husband and dresses him as a woman, then leaves to campaign against childbirth. Fearing the depopulation of France, the husband decides to have children without women, giving birth to 40,049 babies in one day. Overpopulation leads to famine. A fortune teller (Thérèse in disguise) resolves the crisis, and the couple reunites, joining the cast to urge the audience to procreate.

Composer

Francis Poulenc (1899-1963)

Lyricist / Librettist / Playwright

Guillaume Apollinaire (original play); Francis Poulenc adapted the libretto

Year of composition/publication / premiere

1944

Genre

Opera

LGBTQAI+ category

Queer

Level of centrality

Secondary character

Characters

Thérèse / Tirésias

Voice type

Baritone, Soprano

Pronouns

​

Publisher / Rights holder

Heugel & Cie (Paris, 1947). Currently: Wise Music Classical (World)

Where to buy / access the work

Vocal score available for purchase from Wise Music Classical, Musicroom, and Presto Music.

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Surrealism, gender identity, feminism, pro-natalism, Francis Poulenc, Guillaume Apollinaire, queer theory

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