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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

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Orphée et Eurydice

90'

Italian, French

Synopsis

Orpheus, a musician of divine talent, is consumed by grief at the death of his wife, Eurydice. The god of love, Amore, takes pity on him and allows him to descend into the underworld to bring her back. The only condition is that he must not look at her until they have returned to the world of the living. Orpheus successfully charms the Furies and retrieves Eurydice. However, on their journey back, her pleas for a single glance force him to turn around. Eurydice immediately dies again. In his despair, Orpheus attempts to join her in death, but Amore rewards his devotion by resurrecting Eurydice, reuniting the couple

Composer

Christoph Willibald Gluck (1714-1787)

Lyricist / Librettist / Playwright

Ranieri de' Calzabigi (for the Italian version, 1762)

Year of composition/publication / premiere

1762

Genre

Opera

LGBTQAI+ category

Bisexual, Queer

Level of centrality

Main character

Characters

Orpheus

Voice type

Contra-tenor, Mezzo-Soprano, Tenor

Pronouns

he/him

Publisher / Rights holder

The work is in the public domain. Modern editions are available from numerous publishers.

Where to buy / access the work

Scores and vocal scores can be purchased from major music retailers such as Bärenreiter (which offers an Urtext edition) and IMSLP (which provides free access to public domain scores)

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Orpheus, Eurydice, Greek mythology, reform opera, queer performance history, Baroque

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