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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

All rights remain with the respective authors, composers, librettists, publishers, companies, performers, and rights holders.

For performance, purchase, licensing, recordings, or rights-related requests, please contact the official rights holders. 

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Salome (Op. 54)

100'

French - German

Synopsis

Salome, the stepdaughter of King Herod, flees the banquet hall and becomes obsessed with the voice of the imprisoned prophet Jochanaan. When he rejects her advances, she demands his head as a reward for dancing the Dance of the Seven Veils. Her wish is granted, and in the final scene, she passionately kisses the severed head, after which the horrified Herod orders her execution.

Composer

Richard Strauss (1864-1949)

Lyricist / Librettist / Playwright

Oscar Wilde (original French play); German translation by Hedwig Lachmann, adapted by the composer.

Year of composition/publication / premiere

1904

Genre

Opera

LGBTQAI+ category

Gay, Queer

Level of centrality

Secondary character

Characters

Narraboth, Page of Herodias

Voice type

Tenor, Contralto

Pronouns

he/him

Publisher / Rights holder

Boosey & Hawkes (Bote & Bock)

Where to buy / access the work

The vocal score and study score are available for purchase from the publisher's website (Boosey & Hawkes) and major sheet music retailers.

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Salome, Richard Strauss, Oscar Wilde, opera, queer, homosexuality, fin de siècle, Dance of the Seven Veils, Decadence, modernism

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