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This page is a non-commercial research entry within the Operatic LGBTQIA+ Catalogue. It does not claim authorship, ownership, or rights over the works discussed. 

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The Turn of the Screw

105

English

Synopsis

A young Governess is hired to care for two orphaned children, Miles and Flora, at a remote English estate. She soon becomes haunted by the ghosts of two former servants, Peter Quint and Miss Jessel, who died under scandalous circumstances. Quint, a charismatic, amoral man, had corrupted the boy Miles and had a sexual relationship with Jessel. The Governess tries to protect the children from the ghosts’ “corruptive” influence, but the ambiguity remains: are the ghosts real, or figments of her own repressed neurosis? The opera ends with the Governess exorcising Quint’s spirit from Miles, but Miles dies in her arms.

Composer

Benjamin Britten

Lyricist / Librettist / Playwright

Myfanwy Piper (based on Henry James’s 1898 novella)

Year of composition/publication / premiere

1954

Genre

Opera

LGBTQAI+ category

Queer

Level of centrality

Main character

Characters

Peter Quint; Miles

Voice type

Soprano, Tenor

Pronouns

he/him

Publisher / Rights holder

Boosey & Hawkes

Where to buy / access the work

Performance rights

For performance rights, please contact the composer and/or publisher to ensure legal compliance.

Official website

Audio recording(s)

Video performance(s)

Keywords

Britten, queer opera, Peter Quint, corruption, ghost story, pedophilic innuendo, the Governess, Henry James, chamber opera, ambiguity

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